How To Make The Jump From Amateur To Professional Photographer

What makes a pro a pro? How do you do it, do you just wake up one day and the photo gods anoint you a pro? Do you have to pass the pro photography exam and get some sort of certificate? I studied photojournalism at San Francisco State University where I learned a lot about the technical side of photography, ethics, work ethics, and  storytelling. What I didn’t learn much about was the business the side of things. I knew in my second year of college I wanted to be professional photographer but I had no clue how to make that happen. The industry is constantly changing and universities can only teach you so much.   The challenging part isn’t becoming a pro, the hard part is having the confidence to make the leap and make it work.

I made the leap about a decade ago and it hasn’t always been easy but I made it happen the old fashioned way, hard work and persistence. Now I own a commercial photography and video production company, a destination wedding photography business, and I shoot as an editorial photographer as well.  When I teach workshops or meet budding photographers at events the most common question I get asked is how to become a pro so I decided to put my advice into an article.  Everyone has a different path in their journey from amateur to pro but I hope these tips will help steer you in the right direction.

 

Talent Isn’t Everything

I wasn’t the most talented student, but I worked my butt off and stayed committed. Don’t let the narcissist professionals tell you it’s all about talent. Becoming a professional photographer is like anything else, hard work pays off in the end.

 

Commit

Make sure you commit to making it work no matter what, through the good photos and the bad, for better or worse.

 

Don’t Let Contests Be Your Measuring Stick

Photography contests are a huge business and most of them are purely for them to profit from your entry fee. Don’t measure yourself by how many contests you’ve won, your clients won’t care much about that. I’ve never had a client ask me about contests. Sure, enter them and have fun doing so but don’t stress if you haven’t won anything.

 

Shoot Even When You Aren’t Paid To Shoot

I’m not saying to go out there and work for free but practice and shoot whenever you can. If you want to learn about portrait photography gather your friends and do portraits of them for fun. Borrow lights if that’s your thing and figure how to use them.

 

Get A Proper Portfolio Website

A Facebook gallery isn’t a website, a Flickr account isn’t a website, an Instagram account isn’t a website, you get the picture.  Your website should have portfolio galleries in your specialties (example; weddings, portraits, products). You need a contact page, and about page, and a simple logo. Of course, having social media accounts is important but use those outlets to draw attention to your portfolio website where potential clients can see your work and hire you.  I use Squarespace, they are super easy to use, very professional customized templates and they won’t break the bank.  Another great option is Photoshelter, they are great resource for business advice and to manage your archive.

 

Equipment

Don’t be intimated by photographers with lenses on top of lenses and mounds of gear. Get a simple kit that you can afford. It’s easy to think “oh if I had that $4K camera I’d be much better. Get better by practicing and learning not by spending. Now I have expensive equipment true, but when I started I shot with one lens and one camera for an entire year’s worth of assignments and I got by just fine. Here is a link to my favorite gear and yes some it is really expensive but buy what you need and what you can afford.

 

Treat Yourself Like A Business

When you first start off you are the head of marketing, sales, accountant, etc. Understand the basics of these positions and apply them to your business.  Download basic contracts and invoice templates and customize them as you grow larger.

 

Commit

Wait dude, you already said that. Well, it’s worth mentioning twice so there, I said it. You will have moments when you will be bummed out because of a slow month(s), photographer’s doubt I call it, but stay with it and use that down time to focus on positive things like practicing and learning something new.

 

Don’t Be An Ass

This applies to all professionals I suppose but I feel many photographers can, well, be asses.  Don’t be insulted when you get low ball offers or asked to work for free. Let me rephrase that, you can be insulted, just don’t show it and don’t burn bridges. Understand your value, the market, and politely explain (not in condescending way) why your fees are the way they are.

 

Don’t Expect It To Be Easy

I’ve met a lot people that get into photography because they are lazy and it sounded better than a 9-5pm job.  I said it, writers and photographers are some of the laziest people I know and the ones who get work hustle and have ambition, the ones who don’t are lazy it’s pretty simple. When they aren’t shooting, they are bitching online about other’s work, hanging out in café’s not getting anything done. When I’m not shooting, I’m clocking in and putting full work days into my business, marketing, sales, research, etc.

 

Stack The Odds In Your Favor

For many editorial photographers their personal work/projects is their portfolio. Spend a lot of time on your projects and do them right. If photographer A spent 1 week on his personal project and photographer B spent 2 years on theirs, photographer B has a huge advantage. Most editors aren’t looking at how long you spent shooting your projects, they are looking at the final product and that’s it, so spend time on your project and get it right.

 

Crowd Funding

I bet you think I’m going to tell you that this is a great resource. I heard a panel directed at young aspiring photographers teaching them about crowdfunding as a business plan and it upset me, ok it pissed me off.

Don’t rely on others money to start your career, it’s like asking for donation for a charity and there are people in need a lot more than your friends funding you to travel to Africa to take pictures. Don’t be an ass like I said before, work and save and fund yourself. I get it for Kickstarter and places like that where you are trading special editions of a book, or selling prints, and stuff like that, I just mean don’t make this your only source of income. It’s not sustainable and your friends/family will get sick of funding you to travel around and take pictures.

 

Having A Book Doesn’t Make You Good

I see people rush to publish a book as if that solidifies their place as a pro. Anyone can self publish a book, it’s very easy to do. I can go out this afternoon, take selfies of me taking selfies and title it self reflection and have my book published by this evening. Does that make me a pro, does that make me good, no it makes me a narcissistic weirdo.   It can be expensive  and time consuming to publish your own book so wait until you have a body of work or project that you feel is worthy of a book and then do it right.

 

Understand The Market And The Competition

It’s very important to understand the market and your competition, so damn important. Look at the work of photographers in your market, see what they are doing right with their branding, marketing, etc and learn from them. I’m not saying to copy everything they are doing, just use them as a measuring stick for you and your business.

 

 

Make An Announcement To The World

Walk out of your house or apartment right now and scream to the world “I’m a professional photographer!” Ok, don’t do that but rather when you meet people in the real world introduce yourself as a photographer rather than “oh I work in the cooperate world and sometimes I take photos of this , that, and the other thing.” See yourself as a photographer and others will see you the same way. Do the same in the social media world as well.

 

Have A Content Strategy

I work with great content strategist named Brandon Chew. He’s taught my a lot for all my brands and helps me strategize on social content. We think carefully how each social media outlet identity and purpose  and how each outlet fits into the brand scheme of our marketing strategy. For example, I use Instagram to tease content that’s on my website, things like that. It’s also important to budget and strategize on how you target and boost posts. Email Brandon if you want to take your business to the next level. brandonbradchew@gmail.com

 

Related Article

This is a great article about photographer Eric Kim and how he makes over $200,000 from photography. Click here.

 

I hope these tips were helpful and if you have any questions or thoughts please use the comments section below.

 

Bliss In Bali | A Recent Photography And Video Campaign For Afini

We were recently commissioned by Afini, a new player in the luxury destination travel market, to shoot a complete visuals campaign, both stills and video production. The shoot took place in Bali, Indonesia spread out over two of their amazing villas.
Many of our clients the past couple years have hired us to shoot dual campaigns (both stills and video). Besides this obviously being more work for my business which is always a plus I feel it’s a great way to insure the visual style remains fluid throughout the brand.
To achieve this fluid style we are unique in that we typically couple one of our photographers, also trained cinematographers, with our director on the shoots. The style and overall look and feel end up having a consistent look across the brands entire visual campaign.
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My Favorite Street Photography Bag

I’m a huge fan of Wotancraft camera bags, well made and I just love how sexy they are. Here is a quick introduction and review of the Wotancraft Easy Rider Sling Bag coupled with their camera insert. I love this bag for street photographer, it’s practical and extremely stylish. Watch my review here.
To learn more about this bag or to purchase it please visit HERE.

DELICIOUS FILES – A PRACTICAL PRAISE OF THE CANON 5DS R

Full disclosure, Canon Asia is the sponsor of the TV show I’m on and I do a lot of work with them. However, they have never asked me to write any reviews of their products and I was a Canon user long before my TV show every happened.

I’m not a very technical guy so I don’t discuss much on technical specs nor will you find any charts, Bunsen burners, or lab coats in my reviews. I go off of feel, intuition and real assignment experience.

A little bit about me, I work independently as a photojournalist (most notably for The New York Times), I own a destination wedding photography business, and a commercial photography and video production studio. You can see all my work here.

For the sake of simplicity I made the review revolve around resort photography(even though I use it for all my commercial photography), but I’m sure you can see the benefits of it in numerous genres of photography.

Why I Bought It?
I purchased the 5DS R solely for my commercial business. We shoot a lot of luxury resorts all over Asia and beyond and I was looking for a high-resolution camera for these shoots. The 5DS R packs 50mp on a full frame sensor so you can see the appeal. I wanted a camera with great files because I’m always looking for more details and beautiful colors and when my clients need to print the images huge, I want those images to look stunning.

The Good
The best thing about this camera is the delicious files it produces. You still need to take nice pictures with your eye and brain but if you do get a nice shot you will be wildly impressed with the file, wow, just wow. The details and colors are like no camera I’ve ever used before, simply amazing.

For resorts I shoot a lot of inside out, meaning balancing light in a gorgeous room with the rooms view of the beach. You could always light the room and expose for the outside but I’m all about natural light and I try to avoid artificial lighting at all costs to maintain a sense of reality. The camera has a built in HDR mode, like a lot of new cameras, but I still prefer to get one middle ground exposure and then move the file in post production to get a more natural feel. The files on this camera can move a ton in post-production without compromising quality.

Here is a sample of a room shot we did for Intercontinental Pattaya, no artificial lighting at all we just ran the image through processing twice in Lightroom. This is all from one file, this isn’t a multiple exposure.

5dsr review photo

For cropping, you can crop in so close and the files still look amazing, see below. This comes in handy more than you think. This image was shot last week for Intercontinental Sun Peninsula Danang.

The Bad
It’s not as fast at processing as the Canon 5D Mark 3 or obviously the 1Dx series but I don’t need it to be. If you are firing off shots quickly the camera lags a little bit and takes that extra second to buffer. Put it up against medium format cameras and I’m sure it crushes them. If you are use to a performance action camera like the above mentioned the one extra second it takes will annoy you a little bit at the beginning but you’ll get over it.

The other thing is this camera is not a beast in low light. You can’t crank it up to 4K or 8K ISO like the 1D and expect the files to be crisp. It’s not horrible in low light but obviously it doesn’t compare to the Canon 5DM3 or the 1DX series.

This camera eats memory because the files are gigantic. It’s not a huge deal but get used to big files.

Ok this isn’t really the camera’s fault but I shoot predominantly with primes so I use a two two-body camera system. This camera destroys others with the files and I couldn’t match it up with others so went back to shooting with one camera at a time.

Some Advice
Buy the fastest cards you can get, I am a huge fan of SanDisk cards. Pay the extra money for the fastest cards, time is money.

I don’t recommend this camera as a one camera for wedding photography because the files are so huge and unnecessary but if you dial down the file size to Camera RAW medium then it becomes a fantastic number 2 camera, I use it all the time.

Who Needs This Camera
Obviously anyone working in commercial photography will love this camera, but it’s not just for professionals. Anyone interested in fashion, portraiture, pre-wedding, landscape, fine-art, food photography, basically anyone that loves color and fine details at any level will adore this camera.

Conclusion
I’d buy this camera again and again. Even when I shoot commercially I’m rolling around in the sand, dirt, trees, etc. so I’ve put this camera through the stress test and after over 100,000 shots and it still performs flawlessly. It’s a medium format camera packed into a DSLR body and not at a budget breaking medium format price. If you love gorgeous colors, printing your images, and fine details you will be hooked on this camera the second you load the files into your computer.

I use to hate when people say to me, wow those are nice images you must have a great camera. I have to admit that still annoys me but with the 5DS R I do have to give credit where credit is due.

Here are some of my favorite images, all shot with the 5DS R, from my commercial assignment last week for Intercontinental Hotels at Intercontinental Sun Peninsula Danang.

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To see more images shot with the 5DS R please visit Mott Visuals.

5DS R Specs
• 50.6MP Full-Frame CMOS Sensor
• Dual DIGIC 6 Image Processors
• Low-Pass Filter Effect Cancellation
• 3.2″ 1.04m-Dot ClearView II LCD Monitor
• Full HD 1080p Video Recording at 30 fps
• 61-Point High Density Reticular AF
• ISO 100-6400; 5 fps Continuous Shooting
• 150,000-Pixel RGB+IR Metering Sensor
• User-Selectable Shutter Release Time Lag
• Anti-Flicker Compensation

Purchase Online 

Latest work of MOTT VISUALS in Ban Phuc Nickel Mine, Son La, Vietnam

Last month, our cinematographer, Colin Elphick has came back from Australia and took in charge a new Mott Visuals Commercial project for Ban Phuc Nickel Mine in Son La, Vietnam. Those BTS shots would help you to know more about our job and its process.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

Ban Phuc Nickel Mine project area is located some 180kms west of Hanoi in Son La province, 80km east of the border with Laos and 150km south of the border with China.” – announced by Mancala.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

Colin focusing 100% on his work…

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

… make sure he would get the most impressive frames for video production.

BTS shots of Ban Phuc Nickel Mine, Son La. Cinematography by Colin, Mott Visuals.

Advice On The Business Side of Photography

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I’ve made almost every mistake a photographer can make in running their own photography business from running up credit card debt to doing jobs without contracts.  The biggest leap I made was when I decided to stop acting like a freelancer giddy just to get an assignment and started being proactive thinking like a small business owner trying to build a brand sustainable for the future. I never worked in actual office so I got a late start but better late than never.
I’ve had the privilege through festivals, photography events, and workshops to meet a lot of young and old aspiring photographers and what I’ve found are missing from these workshops and festivals is an injection of reality and education about the business world of photography. So I’ve decided to inject, if you don’t want to be injected, stop reading (sorry that really sounded gross and I promise not to use the world inject for the rest of this blog).
Here are some pointers, some big and some small,  that I’ve come up with for all of you who want to make a full-time living off of photography. No matter what genre of photography suits your fancy, this advice should apply to you. For any of you not in the photography world this is going to sound bizarre because you will think all of this is pretty damn obvious. I’m not claiming to reinvent the lens here (see what I did there) but sometimes we all need a reminder.
Retirement Plan
No matter how old you are start a retirement plan today!!! Open up an IRA, Roth IRA, or Self-Employment IRA account, it takes just a few minutes to sign up. I have a Self-Employment IRA through Vanguard,  https://personal.vanguard.com/us/openaccount and the money automatically comes out of my bank account every month and is invested in a mutual fund. If you are in your 30’s ask your friends with corporate jobs how much is in their 401K retirement plan already, the number will astound you. It’s not too late; you will need this money one day I guarantee it,  so sign up now.
Health Insurance
This applies mostly to expats but if you live abroad you need something to cover your ass in case of an emergency. I used a broker in Hong Kong and got a plan from Allianz http://www.allianzworldwidecare.com/  that works for me. One bad accident could bankrupt you.
Savings
Injuries, death in the family, emergencies, etc. you need to have money in case things go wrong. A lot of financial planners will tell you to have about 3 months worth of living expenses in liquid savings account as a bare minimum.
Taxes
Stay on top of this, know what is acceptable to write off and keep good records either with a program like QuickBooks or hire an accountant.
Contracts
For every job you do should have a contract signed before you do anything. Contracts are negotiable so remember that and don’t get bullied, unless of course you are working for in that case just sign the contract J. Templates are available online or hire a lawyer to draft you one. I hired a lawyer then made necessary adjustments. A good contract will save you and it will let your clients know you are serious about your work. Even with friends have a contract; it’s not about trust it’s about having something in writing signed so that you won’t have any confusion later on. I work with some of my closest friends and we have contracts that we mutually negotiated signed leaving no room for misinterpretations.
Credit Card Debt
Bad
Trademark
If you want to be more than an individual and build a brand, trademark your company. Your lawyer can do it for you and this will protect you from someone stealing your name and logo after you’ve built that successful recognizable brand.
Bank Stuff
Separate your business from personal bank accounts. I have a company credit card and bank account for my business and only those accounts are used for business transactions. Come tax time this will make things a lot easier and it will be easier just in terms of understanding your financials.
Be On Time
This might seem like an obvious one but I see it all the time. People like to make that joke about “I’m on (Insert Country Here) Time” or “I’m an artist” excuse, screw that. Be on time for all meetings, shoots, conference calls, and deadlines. Don’t forget photography is  subjective so things like being professional and being likable can always help later on when it comes time for the client to approve your work or hire you again. 
Rewards Programs
If you travel a lot get rewards programs for airlines, credit cards, hotels. Use them all time, they add up to great deals and will save you a lot of money. This dude has a website that offers advice on this, bookmark it. http://thepointsguy.com/
Get a Deposit
Don’t do any wedding or commercial work without an f’ing deposit. For editorial work it’s damn hard to do so because they are so last minute. For everything else don’t reserve your time, book airfare/hotels, and turn down other jobs until you get a deposit. We do a 50% non-refundable deposit, that at least covers expenses and more importantly covers our ass from a client canceling last minute. Without a contract or a deposit it’s really easy for a client to be flaky but it’s amazing how much they respect your time when they’ve paid you a significant amount already. I’ve helped a friend or bended a few times and guess what, those are the times I got burned so just don’t do it. Make it company policy and make sure friends and good clients understand it’s not personal. Sometimes a company will plead with you saying they can’t get you the money in time, guess what,  they can if they want you. They can pay their lease, pay their employees, etc. so they can pay you. Can’t and don’t feel like it are two different things. Be strict on this one, it’s a normal practice.
Final Payment
Don’t give up the goods until you see the $$$. It’s easy for client to say after they received the final high-resolution images to come up with excuses for a discount or delayed payments. We get our final 50% before we give any high-resolution images or video files. Again, we’ve made this mistake. We’ve had clients love the images and say so in an email only to delay 6 months to pay us or try to weasel a discount because image 27 wasn’t what they had in mind. Some will just make things up just to get a deal, not often but it happens.  It’s a pretty fair and simple system we use. We set up a locked online (We use Photoshelter and love it) web resolution gallery of images for the client to review. Once they sign off and pay us the remaining balance we send them the high-resolution images or video within 24 hours of receiving the payment via online gallery. Don’t do anything until you see the actually money in your account, just be safe. It’s a fair system for you and your client and put these details in your contract and terms up front.
DI (Digital Imaging)
Save yourself a whirlwind of trouble and establish what is included in the price and what isn’t in your quote and in your contract. Unless it’s a large scale advertising shoot of just a couple images our price covers cropping, color correction, color balance nothing else.  Additional work such as removing objects costs additional money. Also make it clear again on the shoot right away. Every shoot we do someone from the client side will make a comment on the first shot “oh he can just Photoshop that out” and yes many things are possible with Photoshop. I politely correct them right away to manage expectations.  There is a huge difference between changing someone’s hairstyle in 200 wedding pictures compared to changing a white sky to blue and removing a dust spot. Most people don’t understand how much work goes into retouching, they think there is just a button on your computer that says “Photoshop” and you press it and it just fixes things. They don’t understand it’s an art and time consuming. It’s not their fault for thinking like that and we can’t change that way of thinking but what we can do is clear up those misconceptions in our contracts and on the shoot. For our wedding work we include color correction, we don’t do smooth skin toning or removing of objects. Yes you see that in our portfolio but you also see that in our contract .  We’ve had small commercial clients put 30 retouching notes on a single image and gigantic global clients get the first round of edits and not ask for anything else, they were perfectly satisfied. It’s all about educating your clients from the beginning on what is possible and what’s not and what’s included in their price and what’s not. Set the tone early (pun intended).
Know Who You Are And What You Are As A Brand
Learn how to sell yourself and believe in what you do. Understand your product and the market for your product. Don’t market yourself as a guy who sometimes will do food shots or weddings if he’s asked to. Do you want to hire that guy/gal?
Get Organized
I’m not an organized person but we started using Dropbox and it simplifies my life. All of our company documents  there and are accessible no matter where I am. Every job has a job number and relevant files in a dedicated folder so it’s all right there when I need to access it.
Trade and Barter
I typically avoid barter deals for things I don’t need like luxury purchases such as a nice hotel room or whatever it is. Don’t get caught in that trap of a potentially large client not valuing your work and your time. They might want to trade you few nights for some hotel shots but then they will never hire you for a paid job. I’ve traded with a client at a hotel before and will do it again but only have I’ve worked with that hotel on a paid job and only if I see true value in staying there. I’m not saying don’t trade, just be strategic about it.  For example trade with a lawyer, take their company profile shots in exchange for  some advice and contract work. Just be clear, make them understand your true value from the start. Make a proper quote so they see your prices and then it will be a clear trade. I traded a wedding shoot with our graphic designers Croc and Plover. I couldn’t afford them at the time and it proved to be an amazing deal I hope for both of us.
What Is Your Budget?
Ask your prospective client “What It Your Budget?”. This is probably the best piece of advice I can give you. You’d be surprised how many clients will just be upfront with you. This isn’t an opportunity to overcharge but it can help a ton with assessing your quote. If the budget is higher for a video for example we can rent a crane or use our drone, if the budget is smaller then we might need to skip these things and shoot less days. For a photo shoot it could be a matter of terms and usage of images. The commercial quoting system is the wild west, just ask their budget and then work from there on how to give the client the most value and best product for that budget. This question will also save you time and effort if the two of you aren’t even close on pricing.
Portfolio
Have a professional site, Facebook or Flickr don’t count and never show your work to prospected client on your phone.
Dress The Part
Rolex and an Armani tailored suit for every shoot and meeting, no exceptions. Just kidding, but something between that and board shorts , T-Shirt, and flip-flops should suffice. 
Crowd Funding
I don’t knock you for trying and for some it works well but the key word there is “some”. When I hear this at panel discussions to new photographers as a viable solution to how to make a living in photography it kills me. The people talking about doing this in panels have a huge number of followers and at some point even those followers will get sick of donating money. Before I get angry looks at the next documentary photography festival and shunned from the scarf totting community that I feel like I’m a part of, I get it that it works for some of you but it’s not a realistic business plan for most. I have a few friends who make this work and I respect them for it but even they will admit it’s a struggle.  Try it out, but don’t rely on it as a way to be a professional photographer.
Get Of Your Ass And Go Get It
Work isn’t just going to flow in because you are a talented photographer or because you won a big award. You have to be proactive and go get it yourself. I get shit for OP(Over Promoting)  and at times maybe I can OD on OP’ing but I’m fine with that. I like getting paid to take photos for a living and promoting on social media helps me do that. It works for me, it helps clients remember our diverse business and hopefully they think of us when they need visuals because they remember that picture we posted on Facebook that is relevant do their business.
Most photographers don’t want to talk business because they feel it takes away from their art or their vision. I’ve personally had multiple photographers angry or weary of me for being a businessman. Not a shady business, but just a businessman. This doesn’t mean I’m lurking down alleyways making shady deals and trying to trick people and rip them off, ha ha gotcha!!!  I sell other photographers for weddings and commercial assignments and guess what I take a percentage just like an agency does. We both make money, to me this is a good thing.  My business has employees, offices, marketing expenses etc. and all that costs money but that’s what generates assignments. I’ve had people try to belittle my work as a documentary photographer because I also shoot weddings and commercial work. Shooting weddings and commercial work doesn’t somehow magically make you a bad photojournalist; I’d argue it makes you a better photographer.  My background as a photojournalist and as a documentary photographer helped created who am I today as a photojournalist, wedding photography, cinematographer, and commercial photographer. I personally love weddings, resort shoots, editorial assignments because I love photography.  I realize not everyone is like this and this is just what works for me personally. My point isn’t that everyone out there should shoot weddings, commercial, and editorial work , my point is that if you want to make a living as a photographer you need to start thinking like a business owner. You don’t have to be rich but you do need to survive long term financially. Don’t be ashamed of being a businessman or businesswoman(politically correct points) in whatever path of photography you choose. Embrace it and you perhaps you won’t have to Crowd Fund your retirement plan.

I hope this advice was helpful and please post your own useful tips in the comments section and yes I’ll accept a few wise-ass comments.

Review of the Wotancraft Commander Backpack

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Review of the Wotancraft Commander Backpack_05

I’m a bag for every occasion photographer and my assignments are extremely diverse so that adds up to a lot of different bags. I was given a pre-release version of theCommander backpack and was asked to field-test it by Wotancraft. I love getting my hands on their new products because they are always making improvements and all their bags are just so damn sexy.

I was commissioned by Asian Development Bank for a weeklong documentary project in the northern mountains of Vietnam. We would be traveling through treacherous terrain and rainy weather photographing some of their projects benefiting  remote ethnic minority communities.  We would be doing some hiking so a backpack is ideal for comfort on the long days, this would be a perfect test for the Commander.

Review of the Wotancraft Commander Backpack_06

Review of the Wotancraft Commander Backpack_07

I’ll start with the pure beauty of this bag, as with all their bags it has that signature stylish look with the vegetable tanned leather and their new lightweight water repellant canvas. Most bags take years to have that cool broken in look but Wotancraft bags come with that look already. It feels like cheating but whatever, the bottom line is they look great.  The bag doesn’t scream camera bag filled with expensive equipment, which is a blessing. It just looks like a rugged stylish backpack but of course it is much more than that. I packed the bag with the following;  Canon 5D Mark 3, Canon 6D, Canon 24mm 1.4, 50mm 1.2, 16-35mm 2.8, and a 200mm 2.8 and plenty of memory cards and extra batteries. That’s a lot of gear and I was nervous it would feel heavy but it felt great on my back and shoulders throughout the trip.

The inserts are quite interesting and unique in their set up. It has a top loading option and two side compartments. The side loading pockets took some getting use to but once I adapted I really loved the option to get my extra lenses from the side pocket. It has a natural feel when you take the backpack off to rest it on your knee and then bam, your side pocket is right there.

Review of the Wotancraft Commander Backpack_08

We tested the bag in the heavy rain and the only time my equipment got wet was when I couldn’t resist shooting in the rain, when my gear was in the bag it stayed dry and protected from the elements.

If I had to add an improvement for the next generation of this bag I’d say it would be nice to have a little padding on the body contact points on the shoulder harness but overall I love this bag. It’s great to see Wotancraft come out with its first backpack and now the more adventurous photographer can travel in comfort and in style.

Here are some specs on the bag from Wotancraft along with pictures from the assignment.

Screen Shot 2015-02-16 at 10.15.44 AM copy-1


package include:
City Explorer “Commander” camera backpack x1
lightweight shock-resistant insert for camera & lenses x1
microfiber dividers (no cap) x1
microfiber dividers (with cap) x2
T-shaped divider x1
cotton dustproof bag with WOTANCRAFT Chinese insignia x1
“REMOVE BEFORE ADVENTURE” military ordnance tag keychain x1

material:
vegetable tanned cowhide leather
waterproof W.A.L canvas
high-strength metal hardware
bronze YKK Zippers (with rustproof coating)
high-density foam padding (shock-resistant insert)

Specs:
bag exterior — width 17 x depth 33 x height 44 cm
top insert interior — width 11 x depth 23 x height 19 cm
bottom compartment — width 15 x depth 28.5 x height 24cm
shoulder strap — adjustable between 60~87 cm
weight — bag with insert 2.6 kg
warranty:
3-year free repair guarantee, given intended usage of the product
(International shipping fee for repairs paid by sender)
write to us if you have any questions

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USD 699
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